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Scooby-Doo
information
Production history
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Creation and development
Very early designs by Iwao Takamoto for the Mysteries Five characters. Left to
right, top row: Kelly (Daphne) and Geoff (Fred). Left to right, bottom row: W.W.
(Shaggy) and Linda (Velma).In 1968, a number of parent-run organizations, most
notably Action for Children's Television (ACT), began vocally protesting what
they perceived as an excessive amount of gratuitous violence in Saturday morning
cartoons during the mid-to-late 1960s. |
Most of these shows were Hanna-Barbera action cartoons such
as Space Ghost and The Herculoids, and virtually all of them
were canceled by 1969 because of pressure from the parent groups.
Members of these watchgroups served as advisers to Hanna-Barbera
and other animation studios to ensure that their new programs
would be safe for children.
Fred Silverman, executive in charge of children's programming
for the CBS network at the time, was looking for a show that
would revitalize his Saturday morning line-up and please the
watchgroups at the same time. The result was The Archie Show,
based upon Bob Montana's teenage humor comic book Archie. Also
successful were the musical numbers The Archies performed during
each program (one of which, "Sugar, Sugar", was the
most successful Billboard number-one hit of 1969). Silverman
was eager to expand upon this success, and contacted producers
William Hanna and Joseph Barbera about possibly creating another
show based around a teenage rock group, but with an extra element:
the kids would solve mysteries in between their gigs. Silverman
envisioned the show as a cross between the popular I Love a Mystery
radio serials of the 1940s and the popular early 1960s TV show
The Many Loves of Dobie Gillis.

Hanna and Barbera passed this task along to two of their head
storymen, Joe Ruby and Ken Spears, and artist/character designer
Iwao Takamoto. Their original concept of the show bore the title
Mysteries Five, and featured five teens (Geoff, Mike, Kelly,
Linda, and Linda's brother "W.W.") and their dog, Too
Much, who were all in a band called "The Mysteries Five" (even
the dog; he played the bongos). When "The Mysteries Five" were
not performing at gigs, they were out solving spooky mysteries
involving ghosts, zombies, and other supernatural creatures.
Ruby and Spears were unable to decide whether Too Much would
be a large cowardly dog or a small feisty dog. When the former
was chosen, the options became a large goofy Great Dane or a
big shaggy sheepdog. After consulting with Barbera on the issue,
Too Much was finally set as a Great Dane, primarily to avoid
a direct correlation to The Archies (who had a sheepdog, Hot
Dog, in their band). Ruby and Spears feared the Great Dane would
be too similar to the comic strip character Marmaduke, but Barbera
assured them it would not be a problem.
Takamoto consulted a studio colleague who happened to be a breeder
of Great Danes. After learning the characteristics of a prize-winning
Great Dane from her, Takamoto proceeded to break most of the
rules and designed Too Much with overly bowed legs, a double
chin, and a sloped back, among other abnormalities.
By the time the show was ready for presentation by Silverman,
a few more things had changed: Geoff and Mike were merged into
one character called "Ronnie" (later renamed "Fred",
at Silverman's behest), Kelly was renamed to "Daphne",
Linda was now called "Velma", and Shaggy (formerly "W.W.")
was no longer her brother. Also, Silverman – not being
very fond of the name Mysteries Five – had rechristened
the show Who's S-S-Scared? Using storyboards, presentation boards,
and a short completed animation sequence, Silverman presented
Who's S-S-Scared? to the CBS executives as the centerpiece for
the upcoming 1969–1970 season's Saturday morning cartoon
block. The executives felt that the presentation artwork was
far too frightening for young viewers and, thinking the show
would be the same, decided to pass on it.
Now without a centerpiece for the upcoming season's programming,
Silverman turned to Ruby and Spears, who reworked the show to
make it more comedic and less frightening. They dropped the rock
band element, and began to focus more attention on Shaggy and
Too Much. According to Ruby and Spears, Silverman was inspired
by the ad-lib "doo-be-doo-be-doo" he heard at the end
of Frank Sinatra's interpretation of Bert Kaempfert's song "Strangers
in the Night" on the way out to one of their meetings, and
decided to rename the dog "Scooby-Doo" and re-rechristen
the show Scooby-Doo, Where Are You! The revised show was re-presented
to CBS executives, who approved it for production.
Scooby-Doo television series
The CBS years
Shaggy and Scooby-Doo register fear after being confronted by a typical Scooby-Doo
villain, a ghost from outer space. From Scooby-Doo, Where Are You! season one,
episode fourteen ("Spooky Space Kook", December 20, 1969).Scooby-Doo,
Where Are You! made its CBS network debut on Saturday, September 13, 1969 with
its first episode, "What a Night for a Knight". The original voice
cast featured Don Messick as Scooby-Doo, Casey Kasem as Shaggy, Frank Welker
as Fred, Nicole Jaffe as Velma, and Stefanianna Christopherson as Daphne. Seventeen
episodes of Scooby-Doo were produced in 1969.
The influences of I Love a Mystery and Dobie Gillis were especially
apparent in these early episodes; Mark Evanier, who would write
Scooby-Doo teleplays and comic book scripts in the 1970s and
1980s, identified each of the four teenagers with their corresponding
Dobie Gillis character: "Fred was based on Dobie, Velma
on Zelda, Daphne on Thalia and Shaggy on Maynard." The similarities
between Shaggy and Maynard are the most noticeable; both characters
share the same beatnik-style goatee, similar hairstyles, and
demeanours. The roles of each character are strongly defined
in the series: Fred is the leader and the determined detective,
Velma is the intelligent analyst, Daphne is danger-prone and
vain, and Shaggy and Scooby-Doo are cowardly types more motivated
by hunger than any desire to solve mysteries. Later versions
of the show would make slight changes to the characters' established
roles, most notably in the character of Daphne, shown in 1990s
and 2000s Scooby-Doo productions as knowing many forms of karate
and being able to defend herself.
The plot of each Scooby-Doo episode followed a formula that
would serve as a template for many of the later incarnations
of the series. At the beginning of the episode, the Mystery,
Inc. gang bump into some type of evil ghost or monster, which
they learn has been terrorizing the local populace. The teens
offer to help solve the mystery behind the creature, but while
looking for clues and suspects, the gang (and in particular Shaggy
and Scooby) run into the monster, who always gives chase. However,
after analyzing the clues they have found, the gang determines
that this monster is simply a mere mortal in disguise. They capture
the monster, often with the use of a Rube Goldberg-type contraption
built by Fred - and bring him to the police. Upon learning the
villain's true identity, the fiendish plot is fully explained,
and the apprehended criminal would utter the famous catchphrase,
or a variation thereof: "And I would have gotten away with
it, if it wasn't for you meddling kids!"
Scooby-Doo, Where Are You! was a major ratings success for CBS,
and they renewed it for a second season in 1970. The eight 1970
episodes of Scooby-Doo, Where Are You! differed slightly from
the first-season episodes in their uses of more slapstick humor,
Archie Show-like "chase songs" during climactic sequences,
Heather North performing the voice of Daphne in place of Christopherson,
and a re-recorded theme song. Both seasons contained a laugh
track, which was the standard practice for U.S. cartoon series
during the 1960s and 1970s.
In 1972, after 25 half-hour episodes, the program was doubled
to a full hour and called The New Scooby-Doo Movies, each episode
of which featured a different guest star helping the gang solve
mysteries. Among the most notable of these guest stars were the
Harlem Globetrotters, the Three Stooges, Don Knotts, Sonny & Cher
and Batman & Robin, each of whom appeared at least twice
on the show. After two seasons and 24 episodes of the New Movies
format from 1972 to 1974, the show went to reruns of the original
series until Scooby moved to ABC in 1976.
The Scooby clones
Every episode of the original Scooby-Doo format contains a penultimate scene
in which the kids unmask the ghost-of-the-week to reveal a real person in a
costume. From Scooby-Doo, Where Are You! season two, episode one ("Nowhere
to Hyde", September 12, 1970).Having established a successful formula,
Hanna-Barbera then proceeded to repeat it many times over. By the time Scooby-Doo
had its first format change in 1972, Hanna-Barbera had produced three other
teenager-based shows that were very similar to Scooby in concept and execution:
Josie and the Pussycats (1970), which resurrected the idea of the rock band
to the teenage-crime-fighter formula; The Pebbles and Bamm-Bamm Show (1971),
which re-imagined the toddlers from The Flintstones as high school students;
and the most blatant Scooby clone, The Funky Phantom (also 1971), which featured
three teens, a real ghost and his ghostly cat solving spooky mysteries.
Later cartoons such as The Amazing Chan and the Chan Clan (1972);
Goober and the Ghost Chasers, Speed Buggy, Butch Cassidy and
the Sundance Kids, and Inch High, Private Eye (all 1973); Clue
Club and Jabberjaw (both 1976); Captain Caveman and the Teen
Angels (1977); Buford and the Galloping Ghost (1978); and the
Pebbles, Dino, and Bamm-Bamm segments of The Flintstone Comedy
Show (1980) would all involve groups of teenagers solving mysteries
or fighting crime in the same vein as Scooby-Doo, usually with
the help of a wacky animal, ghost, etc. For example, Speed Buggy
featured three teens and a talking dune buggy in the role of "Scooby",
while Jabberjaw used four teens and a talking shark in a futuristic
underwater environment. Some of these shows even used the same
voice actors and score cues. Even outside studios got in on the
act: when Joe Ruby and Ken Spears left H-B in 1977 and started
Ruby-Spears Productions, their first cartoon was Fangface, yet
another mystery-solving Scooby clone.
During the 1970s, the imitating programs successfully coexisted
alongside Scooby on Saturday mornings. Most of the mystery-solving
Hanna-Barbera shows made before 1975 were featured on CBS, and
when Fred Silverman moved from CBS to ABC in 1975, the mystery-solving
shows, including Scooby-Doo, followed him.
The ABC years
The addition of Scrappy-Doo (right) to the series in 1979 would coincide with
a change in the Scooby-Doo formula. From the opening credits of Scooby-Doo
and Scrappy-Doo.On ABC, the show went through almost yearly format changes.
For their 1976–1977 season, new episodes of Scooby-Doo were joined with
a new Hanna-Barbera show, Dynomutt, Dog Wonder, to create The Scooby-Doo/Dynomutt
Hour. (It became The Scooby-Doo/Dynomutt Show when a bonus Scooby-Doo, Where
Are You! rerun was added to it in November 1976.) This hour-long package show
later evolved into the longer programming blocks Scooby's All-Star Laff-A-Lympics
(1977–1978) and Scooby's All-Stars (1978–1979).
New Scooby episodes, in the original Scooby-Doo, Where Are You!
format, were produced for each of these three seasons. Four of
these episodes featured Scooby's dim-witted country cousin Scooby-Dum
as a semi-regular character. The Scooby-Doo episodes produced
during these three seasons were later packaged together for syndication
as The Scooby-Doo Show, under which title they continue to air.
For the Scooby's All-Star Laff-A-Lympics and Scooby's All-Stars
programming blocks, Scooby-Doo was packaged alongside Laff-A-Lympics,
a new Hanna-Barbera cartoon featuring many of its characters
in parodies of Olympic sporting events. Scooby-Doo appeared on
the show as the team captain of the "Scooby Doobies" team,
with Shaggy and Scooby-Dum among his teammates.
In 1979, Scooby's tiny nephew Scrappy-Doo was added to both
the series and the billing, in an attempt to boost Scooby-Doo's
slipping ratings. The 1979–1980 episodes, aired under the
title Scooby-Doo and Scrappy-Doo, succeeded in regenerating interest
in the show, and as a result the entire show was overhauled in
1980 to focus more upon Scrappy-Doo. Fred, Daphne, and Velma
were dropped from the series, and the new Scooby-Doo and Scrappy-Doo
format was now comprised of three seven-minute comedic adventures
starring Scooby, Scrappy, and Shaggy instead of one half-hour
mystery. This version of Scooby-Doo and Scrappy-Doo aired as
part of The Richie Rich/Scooby-Doo Show from 1980 to 1982, and
as part of The Scooby-Doo/Scrappy-Doo/Puppy Hour from 1982 to
1983. Most of the supernatural villains in the seven-minute Scooby
and Scrappy cartoons, who in previous Scooby series had been
revealed to be human criminals in costume, were now "real" within
the context of the series.
Daphne returned to the cast for The All-New Scooby and Scrappy-Doo
Show in 1983, which comprised two 11-minute episodes in a format
reminiscent of the original Scooby-Doo, Where Are You! mysteries.
This version of the show lasted for two seasons, with the second
season airing under the title The New Scooby-Doo Mysteries and
featuring semi-regular appearances from Fred and Velma.
1985 saw the debut of The 13 Ghosts of Scooby-Doo, which featured
Daphne, Shaggy, Scooby, Scrappy, and new characters Flim-Flam
and Vincent Van Ghoul (based upon and voiced by Vincent Price)
traveling the globe to capture "thirteen of the most terrifying
ghosts and ghouls on the face of the earth." The final first-run
episode of The 13 Ghosts of Scooby-Doo aired in March 1986, and
no new Scooby series aired on the network for the next two years.
Reruns of previous Scooby episodes, however, continued to air,
both as part of the Scooby-Doo Mystery Funhouse package and under
the New Scooby and Scrappy-Doo Show banner.
Hanna-Barbera reincarnated the original Scooby-Doo, Where Are
You! cast as junior high school students for A Pup Named Scooby-Doo,
which debuted on ABC in 1988. A Pup Named Scooby-Doo was an irreverent,
zany re-imagining of the series, heavily inspired by the classic
cartoons of Tex Avery and Bob Clampett, and eschewed the quasi-reality
of the original Scooby series for a more Looney Tunes-like style.
The retooled show was a success, and lasted until 1991.
Reruns and revival
Scooby-Doo and Shaggy, in a scene from What's New, Scooby-Doo?Reruns of the
show have been in syndication since the mid-1980s, and have also been shown
on cable television networks such as TBS Superstation (until 1989) and USA
Network (as part of the USA Cartoon Express from 1990 to 1994). In 1993, A
Pup Named Scooby-Doo, having just recently ended its network run on ABC, began
reruns on the Cartoon Network; the other versions of Scooby-Doo joined it the
following year and became exclusive to Turner networks such as the Cartoon
Network, TBS Superstation, and TNT. Canadian network Teletoon began airing
Scooby-Doo, Where Are You! in 1997, with the other Scooby series soon following.
When TBS and TNT ended their broadcasts of H-B cartoons in 1998, Scooby-Doo
became the exclusive property of both Cartoon Network and sister station Boomerang.
In 2002, following the successes of the Cartoon Network reruns
and four late-1990s direct-to-video Scooby-Doo releases, the
original version of the gang was updated for the 21st century
for What's New, Scooby-Doo?, which aired on Kids' WB from 2002
until 2005, with second-run episodes also appearing on Cartoon
Network. Unlike previous Scooby series, the show was produced
at Warner Bros. Animation, which had absorbed Hanna-Barbera in
2001. The show returned to the familiar format of the original
series for the first time since 1978, with modern-day technology
and culture added to the mix to give the series a more contemporary
feel, along with new, digitally-recorded sound effects and music.
With Don Messick having died in 1997, Frank Welker took over
as Scooby's voice actor, while continuing to provide the voice
of Fred as well, and Casey Kasem returned as Shaggy. Grey DeLisle
provided the voice of Daphne (she first took the role on Scooby-Doo
and the Cyber Chase, replacing Mary Kay Bergman, who committed
suicide shortly before the release of Scooby-Doo and the Alien
Invaders) and former Facts of Life star Mindy Cohn voiced Velma.
After three seasons, What's New, Scooby-Doo was replaced in
September 2006 with Shaggy & Scooby-Doo Get a Clue!, a major
revamping of the series which debuted on The CW's Kids' WB Saturday
morning programming block. The premise centers around Shaggy
inheriting money and a mansion from an uncle, an inventor who
has gone into hiding from villains trying to steal his secret
invention. The villains, led by "Dr. Phibes" (based
primarily upon Dr. Evil from the Austin Powers series), then
use different schemes to try to get the invention from Shaggy
and Scooby, who handle the plots alone. Fred, Daphne, and Velma
are normally absent, but do make appearances at times to help.
The characters were redesigned and the art style revised for
the new series.
Television specials, telefilms, and direct-to-video
features
The direct-to-video film Scooby-Doo on Zombie Island marked the first time
the original quintet of Scooby characters had appeared together in their original
forms since 1984.The Scooby-Doo characters first appeared outside of their
regular Saturday morning format in Scooby Goes Hollywood, an hour-long ABC
television special aired in prime time on December 13, 1979. The special revolved
around Shaggy and Scooby's attempts to have the network move Scooby out of
Saturday morning and into a prime-time series, and featured spoofs of then-current
TV shows and films such as Happy Days, Superman, Laverne & Shirley, and
Charlie's Angels.
From 1986 to 1988, Hanna-Barbera Productions produced Hanna-Barbera
Superstars 10, a series of syndicated telefilms featuring their
most popular characters, including Yogi Bear, Huckleberry Hound,
The Flintstones, and The Jetsons. Scooby-Doo, Scrappy-Doo, and
Shaggy starred in three of these movies: Scooby-Doo Meets the
Boo Brothers (1987), Scooby-Doo and the Reluctant Werewolf (1988),
and Scooby-Doo and the Ghoul School (1988). In addition, Scooby-Doo
and Shaggy appeared as the narrators of the made-for-TV movie
Arabian Nights, originally broadcast by TBS in 1994 and later
released on video as Scooby-Doo in Arabian Nights.
Starting in 1998, Warner Bros. Animation and Hanna-Barbera (by
then a subsidiary of Warner Bros.), began producing one new Scooby-Doo
direct-to-video movie a year. These movies featured a slightly
older version of the original five-character cast from the Scooby-Doo,
Where Are You! days, and disregards the later Scrappy-Doo years
as non-canonical. The movies include Scooby-Doo on Zombie Island
(1998), Scooby-Doo and the Witch's Ghost (1999), Scooby-Doo and
the Alien Invaders (2000), and Scooby-Doo and the Cyber Chase
(2001). Also in 2001, the Cartoon Network produced Night of the
Living Doo, a half-hour parody of the New Scooby-Doo Movies format
featuring "special guest stars" David Cross, Gary Coleman,
Mark Hamill and Big Bad Voodoo Daddy.
The success of the direct-to-video movies led to Scooby's return
to Saturday morning, What's New, Scooby-Doo?, and Hanna-Barbera
based later entries in this series of Scooby movies on it rather
than the previous editions. The series continued with Scooby-Doo
and the Legend of the Vampire (2003), Scooby-Doo and the Monster
of Mexico (2003), Scooby-Doo and the Loch Ness Monster (2004),
Aloha, Scooby-Doo! (2005), Scooby-Doo! in Where's My Mummy? (2005)
and Scooby-Doo! Pirates Ahoy! (2006).
A number of these Scooby-Doo telefilms and direct-to-video features,
as well as many of the early-1980s shows featuring Scrappy-Doo,
feature the gang encountering actual supernatural beings. In
Scooby-Doo and the Ghoul School (1988), Shaggy, Scooby, and Scrappy
sign up as gym teachers for Miss Grimwood's school for girls,
only to find it is actually a school for ghouls, where the trio
end up teaching the daughters of Frankenstein's monster, Dracula,
the Werewolf, The Mummy, and the stereotypical ghost monster
(Phantasma the Phantom). Scooby-Doo on Zombie Island (1998) featured
the original 1969 gang, reunited after years of being apart,
battling voodoo-worshiping cat creatures in the Louisiana bayou.
Scooby-Doo and the Witch's Ghost featured an author (Tim Curry)
returning to his home with the gang, to find out that an event
is being haunted by the author's dead grandmother; who was an
actual witch. The later What's New, Scooby-Doo-based entries
in the direct-to-video series returned to the original formula,
and are basically extended episodes of the What's New, Scooby-Doo
series.
Live-action Warner Bros. feature films
A feature-length live-action film version of Scooby-Doo was released by Warner
Bros. in 2002. The cast included Freddie Prinze, Jr. as Fred, Sarah Michelle
Gellar as Daphne, Matthew Lillard as Shaggy, and Linda Cardellini as Velma.
Scooby-Doo was created on-screen by computer-generated special effects. Scooby-Doo
was a successful release, with a domestic box office gross of over $130 million.
However, the film was not well reviewed: film critic Roger Ebert, who stated
that he had never seen the original television series, gave Scooby-Doo one
star (on a scale of zero to four), saying: "I feel no sympathy with
any of the characters, I am unable to generate the slightest interest in
the plot, and I laughed not a single time." A sequel, Scooby-Doo 2:
Monsters Unleashed, followed in March 2004, and earned $84 million at the
U.S. box office.
Warner Bros.' 2002 live-action Scooby-Doo feature film was a box office success,
and resulted in a sequel two years later.The 2002 film version departed considerably
from the standard Scooby-Doo formula in that the paranormal is real and the
skepticism of the original series is ridiculed. Various elements of that
formula are parodied in both movies. While the first film had generally original
characters as the villains (except for one villain revealed as a surprise
plot twist), the second film featured several of the monsters from the television
series, including the Black Knight, the 10,000 Volt Ghost, the Pterodactyl
Ghost, the Miner 49er, and Chickenstein.
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